In 1571, the military official Zhu Kui moved a Ming-dynasty temple to its current home along Xiangyao Road. The scholar Li Yuanyang recorded this journey on a stone tablet, anchoring the structure to the soil of Xiangcheng. Over the centuries, the pavilion accumulated layers of human devotion and survival. County Magistrate Huang Jinxian rebuilt the Guanyin Hall in 1874, and Yao Zan repaired the main structures during the Daoguang era. During the twentieth century, the complex served as a spice factory, filling the wooden halls with the scent of dried herbs and ground seeds. In 1998, a Taoist layperson named Liu Meixian took charge, sweeping away industrial debris to begin a decades-long restoration.

The interior organizes three distinct spiritual traditions into a vertical hierarchy. On the ground floor, visitors encounter a cool, smooth white marble Buddha imported from Myanmar. Climbing higher, the second floor houses a statue of Confucius, representing social order. At the peak, under the four-story internal ceiling, sits the Jade Emperor. Flanking the central courtyard, the three-bay Zaowang and Guanyin halls stand opposite each other, while the five-bay Laojun Hall serves as the southern gateway.

Today, visitors can feel the rough texture of the thirty-two massive timber columns that support the column-and-tie framework. Looking up, the triple-eaved, green-tiled roof culminates in a ceramic gourd-shaped treasure top that catches the high Yunnan sun. On the south-facing eaves, dougong brackets support the heavy tiles, while hand-carved dragon heads project from the corners.Freshly painted murals from 2001 decorate the exterior, showing how the community continues to care for this state-protected monument.