In 1576, builders in Yunnan raised the timber frame of the Luxi Martial Temple, anchoring a sanctuary of wood and stone in Xinhua Village. Over four centuries, this two-thousand-square-meter complex evolved from a shrine for the Three Kingdoms general Guan Yu into a shared home for diverse beliefs.

Visitors enter through the south-facing Wucheng Gate. Its five-bay-wide structure features a single-eave hard mountain roof and a post-and-tie timber frame. Heavy iron-clad gates swing open to reveal a courtyard where history is written directly into the architecture. In 1734, a local garrison official named Zhong Liangfu repaired the halls, leaving his record on a stone slab. In 1788, school commissioner Yuan Wendian added his own written account during a second restoration. By 1800, a defense officer named Fang Zhenwen oversaw further reconstructions. Today, these three stone steles remain embedded in the walls of the stage's side hall and the rear hall, their chiseled characters offering a cool, tactile connection to the hands that carved them.

The temple grounds house a quiet gathering of deities. Guan Yu's statue occupies the main hall. Behind it, the three-bay-wide rear hall contains the Three Buddhas: Gautama, Amitabha, and the Medicine Buddha. The side halls shelter a folk pantheon, including Maitreya, the Fire God, and the Thunder God. Faded wooden plaques hang above the doorways, bearing inscriptions like 'Protecting the Nation and Blessing the People.'

The temple remains a living space. Xinhua Village residents voluntarily sweep the stone floors and maintain the wooden pillars. On the traditional first and fifteenth days of the lunar month, pilgrims arrive to light incense. Often, the air fills with the acoustic patterns of the Dongjing Music Association, whose members play traditional instruments on the operatic stage. The music drifts past the old timber columns, carrying the voices of the past into the present day.