In the golden rice fields of Tongkou Village, on the west bank of the Yongming River, stands the Mingfeng Pavilion. This twelve-meter-tall, three-story octagonal tower has watched over the landscape since its construction in 1507, or its subsequent rebuilding around 1659. Its design carries deep numerical meaning. Each of its eight sides measures six meters, creating a forty-eight-meter perimeter that symbolizes prosperity across the four seasons. Inside, four massive wooden columns rise uninterrupted from the foundation to the roof, holding the heavy brick-and-wood structure aloft.

The pavilion embodies two conflicting histories. Local records suggest it was built as a Wenchang academic pavilion to inspire scholarly success, a hope realized by the local Lu family who produced seven imperial scholars during the Ming and Qing dynasties. Other accounts describe it as a defensive watchtower, built to monitor forest lands during territorial disputes with neighboring Tongxiwei Village.

Beneath the eaves, a stone drainage canal carries a continuous flow of fresh spring water from the Tongkou source, which empties into the Xiao River. Visitors entering the pavilion pass stone blocks carved with the forms of phoenixes and Panhu, the dog-ancestor of the Yao people. These carvings, along with interior woodcuts of peacocks, magpies, and gourds, reflect the ancient bird-worship traditions of the regional Baiyue and Yao cultures.

The tower also preserves the quiet history of local women. Known locally as the Nüshu Tower, it commemorates Hu Yuxiu, a village woman sent to the imperial palace as a consort. Isolated and grieving, she adapted embroidery patterns into Nüshu, the world's only female-specific script, to write to her sisters. Centuries later, Yi Nianhua, a master of this secret script who died in 1991, lived in this village, writing and singing her poems. Today, the pavilion stands as a protected provincial heritage site along the ancient Xiao-He Road, its shadow lengthening across the quiet fields at sunset.